Susanna J. Sturgis   Martha's Vineyard writer and editor
writer editor born-again horse girl

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Memorial con Grappa

August 24, 2006

August 24 is the first birthday that my friend Lisa Barnett isn't around to celebrate -- she would have been 48 today -- and I recently learned from Julie Phillips's new and brilliant biography James Tiptree, Jr.: The Double Life of Alice B. Sheldon that Alli Sheldon was also born on August 24. (Tip may have had his own birthday. I don't know.) The occasion seemed worthy of observance, not to mention that I had this nearly full bottle of Grappa Julia on top of the fridge, which I bought on Lisa's recommendation. It may be the vilest form of alcohol I've ever ingested. Lisa said it attracted women but I ask you: what's the point of attracting women if you're retching and making terrible faces when they get to you? For years I meant to give the grappa to someone who would appreciate it, but Lisa was the only person I could think of and she died. So the grappa was ready for ritual disposal, lest I die and my survivors mistakenly regret that I hadn't had the opportunity to finish the bottle myself.

My first idea was to do a little celebration at the barn so both Allie (whom Lisa never met) and Rhodry (whom she did, once, in the parking lot at Readercon during a torrential downpour) could be present. Afternoon light was too bright, and there were too many people around. So around 9:30 p.m. I knocked off work and started gathering stuff: candles, a goblet, two red pencils whose points are fast approaching their erasers, several of Lisa's books (Armor of Light, Point of Hopes, and Point of Dreams, all co-written with her partner, Melissa Scott; and Teaching Young Playwrights, which Lisa edited from the papers of Gerald Chapman, who also died way too soon), Skunkatena the wind-up skunk (Lisa was a dog person; need I say more?), and of course that bottle of grappa. With these I made a little altar in the middle of my bedroom floor, in between the two more-or-less permanent altars: the pine coffee table where I build and rebuild things with blocks and various objects, and the cedar chest I inherited from my grandmother, which is currently where I spread my guitar music and related paraphernalia.

I half-filled the goblet with grappa. Bravely I sipped and even more bravely I swallowed. The stuff is every bit as disgusting as I remembered. I took another hit, then I sat down and tuned my guitar so I could sing Bob Franke's "Thanksgiving Eve," which had just pointed out that it was perfect for the occasion. This is the chorus:

What can you do with your days but work and hope
Let your dreams bind your work to your play
What can you do with each moment of your life
But love till you've loved it away
Love till you've loved it away

Then I sat in the middle of the floor surrounded by candles, poured more grappa into the goblet, and lit a match, with the idea of ceremonially incinerating the red pencil stubs in flaming liquor. It didn't work. Apparently nastiness by itself is not flammable and a higher alcohol content is needed before it will catch fire.

After meditating a while, I reached for Teaching Young Playwrights and opened it at random. Random, hah: it opened to the pages that I've reread more than any other, on "Resolution / Earning the Resolution" (page 86 if you've got a copy handy; if not and you're a writer, not necessarily young and not necessarily of plays, I recommend it; it might not attract women but it tastes better than grappa).

Resolutions end the conflict, one way or another, whether the protagonist wins or loses, lives or dies. . . . Young playwrights have already become familiar with, and possibly proficient in, the idea of fighting for the right to remain on stage. They know that a character must have a reason to be on stage -- otherwise, what is he or she doing there? Resolutions of plays should be looked at in the same way: there must be a reason for everything that happens in a play, including the resolution. Anything else is unsatisfactory for the audience, and probably, ultimately, for the playwright.

Some resolutions come too soon, and some characters remain on stage long after they're gone. Hail, Lisa; hail, Alli; hail, Jorge Luis Borges too. He also was born on August 24 and belongs in the company.

The grappa, goblet and bottle, I carried outside and across the road, where I not quite solemnly poured it all down the storm drain. You probably don't want to eat any fish caught in Vineyard Haven harbor the next couple of days.

Inside again, I extinguished all the candles and put the books away.

Merry meet, and merry part
and merry meet again

 

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